{"id":3888,"date":"2021-11-08T14:02:30","date_gmt":"2021-11-08T13:02:30","guid":{"rendered":"https:\/\/japanpianocenter.com\/servis\/"},"modified":"2021-11-08T14:02:30","modified_gmt":"2021-11-08T13:02:30","slug":"servis","status":"publish","type":"page","link":"https:\/\/japanpianocenter.com\/hr\/servis\/","title":{"rendered":"Servis"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row full_width=&#8221;stretch_row&#8221; el_class=&#8221;banner-about-page&#8221;][vc_column width=&#8221;1\/2&#8243; offset=&#8221;vc_col-lg-offset-1 vc_col-lg-4 vc_col-md-5&#8243;]    <div  class=\"element-text-block  info-banner-about\" >\r\n        <h2 class=\"title30 color222 font-title font-semibold text-uppercase\">Uga\u0111anje\/usluga<\/h2>\n<p class=\"title14\">Svojim klijentima pru\u017eamo godi\u0161nju uslugu. Osim uga\u0111anja, obavljamo i sve procese odr\u017eavanja mehani\u010dke i zvu\u010dne kvalitete instrumenta, \u010dime se osigurava njegov optimalan radni vijek.<\/p>\n    <\/div>\r\n[vc_empty_space height=&#8221;64px&#8221;]    <div  class=\"element-text-block  info-banner-about\" >\r\n        <h3 class=\"title16 color font-title font-semibold text-uppercase\" style=\"text-align: left;\">KAKO BI VA\u0160 KLAVIR ILI PIJANINO UVIJEK BIO U VRHUNSKOM STANJU POTREBNO JE REDOVNO ODR\u017dAVANJE\u2026<\/h3>\n    <\/div>\r\n[\/vc_column][vc_column width=&#8221;1\/2&#8243; offset=&#8221;vc_col-md-7&#8243;][vc_single_image image=&#8221;1867&#8243; img_size=&#8221;600&#215;400&#8243; alignment=&#8221;center&#8221;][\/vc_column][\/vc_row][vc_row full_width=&#8221;stretch_row&#8221; el_class=&#8221;team-about-page&#8221;][vc_column offset=&#8221;vc_col-lg-offset-1 vc_col-lg-10 vc_col-md-12&#8243;]    <div  class=\"element-text-block  text-center title-team-about\" >\r\n        <h2 class=\"font-title title30 color222 font-semibold text-uppercase\"><span class=\"bg-color\">Na\u0161 servis zajema<\/span><\/h2>\n    <\/div>\r\n[vc_row_inner][vc_column_inner width=&#8221;1\/3&#8243; offset=&#8221;vc_col-ss-6 vc_col-xs-12&#8243;][vc_single_image image=&#8221;1870&#8243; img_size=&#8221;full&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243; offset=&#8221;vc_col-ss-6 vc_col-xs-12&#8243;]    <div  class=\"element-text-block  \" >\r\n        <h3>Regulacija mehanizama \u2014 pokretni mehani\u010dki dijelovi, klavijature i pedale<\/h3>\n<p>Mehanizam i klavijatura svakog klavira sastoji se od mnogih dijelova izra\u0111enih od drveta, metala ili filca. Redovito pode\u0161avanje mehanizma, \u010di\u0161\u0107enje unutra\u0161njosti klavira i priprema \u010deki\u0107a osiguravaju odr\u017eavanje meko\u0107e klavijature te kvalitete rada i zvuka cijelog instrumenta.<\/p>\n    <\/div>\r\n[\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=&#8221;1\/3&#8243; offset=&#8221;vc_col-ss-6 vc_col-xs-12&#8243;][vc_single_image image=&#8221;1869&#8243; img_size=&#8221;full&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243; offset=&#8221;vc_col-ss-6 vc_col-xs-12&#8243;]    <div  class=\"element-text-block  \" >\r\n        <h3>Podmazivanje<\/h3>\n<p>Podmazivanje mehanizma instrumenta potrebno je za nesmetano kretanje svih me\u0111usobno povezanih pokretnih dijelova. Osim \u0161to pru\u017ea mobilnost, podmazivanje pedala sprje\u010dava i neugodno \u0161kripanje pri pritisku..<\/p>\n    <\/div>\r\n[\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=&#8221;1\/3&#8243; offset=&#8221;vc_col-ss-6 vc_col-xs-12&#8243;][vc_single_image image=&#8221;1868&#8243; img_size=&#8221;full&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243; offset=&#8221;vc_col-ss-6 vc_col-xs-12&#8243;]    <div  class=\"element-text-block  \" >\r\n        <h3>Intonacija<\/h3>\n<p>Intonacija je proces u kojem prilago\u0111avamo gusto\u0107u i elasti\u010dnost filca kojim su \u010deki\u0107i presvu\u010deni. S vremenom se filc lagano stvrdne, a \u010deki\u0107 se tako\u0111er lagano deformira zbog tro\u0161enja, \u0161to utje\u010de na kvalitetu zvuka. Intonacijskim alatima prilago\u0111avamo gusto\u0107u i elasti\u010dnost filca na \u010deki\u0107ima te tako osiguravamo lijepu zvu\u010dnu boju i dinamiku.<\/p>\n    <\/div>\r\n[\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=&#8221;1\/3&#8243; offset=&#8221;vc_col-ss-6 vc_col-xs-12&#8243;][vc_single_image image=&#8221;1871&#8243; img_size=&#8221;full&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243; offset=&#8221;vc_col-ss-6 vc_col-xs-12&#8243;]    <div  class=\"element-text-block  \" >\r\n        <h3>Uga\u0111anje<\/h3>\n<p>Kod jednolikog uga\u0111anja, koje je kompromis u odnosu na prirodna uga\u0111anja i koje je tijekom povijesti postalo najuvrije\u017eenije, postoji me\u0111unarodno dogovoreni referentni ton a1 (440 Hz). Legenda ka\u017ee da je u davna vremena svako jutro u zoru ovaj ton emitirao ogroman Memnonov stup u blizini egipatske Tebe, tako da su prema njemu glazbenici mogli uga\u0111ati svoje instrumente. Stup je prestao emitirati ovaj ton s po\u010detkom na\u0161e ere. Danas, me\u0111utim, ovaj ton emitiraju glazbene vilice koje obi\u010dno koriste ugo\u0111a\u010di. U klaviru ima oko 220 \u017eica i tehni\u010dar uga\u0111anjem pode\u0161ava napetost svake od njih. Pode\u0161avaju su u odre\u0111enim omjerima koje je potrebno doraditi. Tako\u0111er je potrebno ukloniti pitagorejski zarez \u2014 to je pogre\u0161ka ne\u0161to manja od 1,4 % koja se javlja u osminskom intervalu ako izradimo kromatsku ljestvicu napreduju\u0107i za petine i potom se spu\u0161taju\u0107i za oktave do podru\u010dja po\u010detne oktave. Pogre\u0161ka stoga nije velika, ali mo\u017ee biti jako uznemiruju\u0107a kada se tonovi me\u0111usobno poja\u010davaju.<\/p>\n    <\/div>\r\n[\/vc_column_inner][\/vc_row_inner][vc_empty_space height=&#8221;64px&#8221;]    <div  class=\"element-text-block  info-banner-about\" >\r\n        <h3 class=\"title16 color font-title font-semibold text-uppercase\" style=\"text-align: center;\">Termin za servis in\u0161trumenta lahko rezervirate na<\/h3>\n<h3 class=\"title16 color font-title font-semibold text-uppercase\" style=\"text-align: center;\">tel. 070 848 020 ali nam pi\u0161ete na <a href=\"mailto:info@japanpianocenter.com\">info@japanpianocenter.com<\/a><\/h3>\n    <\/div>\r\n[\/vc_column][\/vc_row][vc_row full_width=&#8221;stretch_row&#8221; el_class=&#8221;team-about-page&#8221;][vc_column width=&#8221;1\/3&#8243; offset=&#8221;vc_col-lg-offset-1 vc_col-lg-10 vc_col-md-12&#8243;]    <div  class=\"element-text-block  text-center title-team-about\" >\r\n        <h2 class=\"font-title title30 color222 font-semibold text-uppercase\"><span class=\"bg-color\">Na\u0161i stru\u010dnjaci<\/span><\/h2>\n    <\/div>\r\n[\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1627633956752{padding-bottom: 20px !important;}&#8221;][vc_column width=&#8221;1\/4&#8243;][vc_single_image image=&#8221;2314&#8243; img_size=&#8221;full&#8221;][\/vc_column][vc_column width=&#8221;1\/4&#8243;][vc_column_text]<\/p>\n<h3><strong>Andrej Novak<\/strong><\/h3>\n<p>Stru\u010dnjak za uga\u0111anje i tehnologiju klavira i pijanina. Andrej Novak \u0161kolovao se za klavirskog tehni\u010dara u podru\u010dju modernog i be\u010dkog klavira u radionici Bernharda Balasa te u posebnom podru\u010dju povijesnog klavira u radionici Gerta Hechera u Be\u010du. Vlasnik je najve\u0107e zbirke povijesnih glazbenih instrumenata s tipkama u Sloveniji.[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/4&#8243;][vc_single_image image=&#8221;2312&#8243; img_size=&#8221;full&#8221;][\/vc_column][vc_column width=&#8221;1\/4&#8243;][vc_column_text]<\/p>\n<h3><strong>Sandi De Simone<\/strong><\/h3>\n<p>Stru\u010dnjak za uga\u0111anje i tehnologiju klavira i pijanina. Sandi De Simone diplomirao je klavir na konzervatoriju u Trstu. 1986. godine zavr\u0161io je te\u010daj uga\u0111anja u tvornici PETROF u \u010ce\u0161koj.[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1627633956752{padding-bottom: 20px !important;}&#8221;][vc_column width=&#8221;1\/4&#8243;][vc_single_image image=&#8221;2311&#8243; img_size=&#8221;full&#8221;][\/vc_column][vc_column width=&#8221;1\/4&#8243;][vc_column_text]<\/p>\n<h3><strong>Toma\u017e Zorko<\/strong><\/h3>\n<p>Stru\u010dnjak za uga\u0111anje i tehnologiju klavira i pijanina. Toma\u017e je radio kao u\u010ditelj razli\u010ditih instrumenata (kontrabas, gitara, harmonika) u glazbenoj \u0161koli, a tako\u0111er je aktivni \u010dlan nekolicine sastava. Uga\u0111anjem i servisiranjem po\u010deo se baviti prije 45 godina, tijekom kojih je stekao neprocjenjivo iskustvo na podru\u010dju klavirske tehnologije.[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/4&#8243;][vc_single_image image=&#8221;3834&#8243; img_size=&#8221;full&#8221;][\/vc_column][vc_column width=&#8221;1\/4&#8243;][vc_column_text]<\/p>\n<h3><strong>Martin Marke\u017ei\u010d<\/strong><\/h3>\n<p>Martin se glazbom aktivno bavi od djetinjstva. Studirao je violon\u010delo na konzervatoriju Giuseppe Tartini u Trstu, te je kao dodatni predmet uspje\u0161no zavr\u0161io i studij klavira. Tako\u0111er se aktivno bavi solo i zborskim pjevanjem (APZ sveu\u010dili\u0161ta Primorske, Capella Civica di Trieste, Komorni zbor Aegida). Martin trenutno studira klavirsku tehnologiju na konzervatoriju Santa Cecilia u Rimu.<br \/>\nS iskustvom na podru\u010dju glazbe i pjevanja, Martin \u0107e vas upoznati s estetikom zvuka i bojom tona na pojedinim instrumentima. On \u0107e vas voditi pri odabiru klavira na temelju va\u0161ih potreba, \u017eelja i o\u010dekivanja.[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1627633956752{padding-bottom: 20px !important;}&#8221;][vc_column width=&#8221;1\/4&#8243;][vc_single_image image=&#8221;2315&#8243; img_size=&#8221;full&#8221;][\/vc_column][vc_column width=&#8221;1\/4&#8243;][vc_column_text]<\/p>\n<h3><strong>Marko U\u0161eni\u010dnik<\/strong><\/h3>\n<p>Stru\u010dnjak za uga\u0111anje i tehnologiju klavira i pijanina. Marko U\u0161eni\u010dnik diplomirao je sakralnu glazbu na Glazbenoj akademiji. Uz uga\u0111anje i servisiranje klavira i pijanina, podu\u010dava i klavir, gitaru i cajon. Tako\u0111er je zborovo\u0111a mje\u0161ovitog zbora. Marko je trenutno na dodatnom usavr\u0161avanju klavirske tehnologije na konzervatoriju Santa Cecilia u Rimu.[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/4&#8243;][\/vc_column][vc_column width=&#8221;1\/4&#8243;][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row full_width=&#8221;stretch_row&#8221; el_class=&#8221;banner-about-page&#8221;][vc_column width=&#8221;1\/2&#8243; offset=&#8221;vc_col-lg-offset-1 vc_col-lg-4 vc_col-md-5&#8243;][vc_empty_space height=&#8221;64px&#8221;][\/vc_column][vc_column width=&#8221;1\/2&#8243; offset=&#8221;vc_col-md-7&#8243;][vc_single_image image=&#8221;1867&#8243; img_size=&#8221;600&#215;400&#8243; alignment=&#8221;center&#8221;][\/vc_column][\/vc_row][vc_row full_width=&#8221;stretch_row&#8221; el_class=&#8221;team-about-page&#8221;][vc_column offset=&#8221;vc_col-lg-offset-1 vc_col-lg-10 vc_col-md-12&#8243;][vc_row_inner][vc_column_inner width=&#8221;1\/3&#8243; offset=&#8221;vc_col-ss-6 vc_col-xs-12&#8243;][vc_single_image image=&#8221;1870&#8243; img_size=&#8221;full&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243; offset=&#8221;vc_col-ss-6 vc_col-xs-12&#8243;][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=&#8221;1\/3&#8243; offset=&#8221;vc_col-ss-6 vc_col-xs-12&#8243;][vc_single_image image=&#8221;1869&#8243; img_size=&#8221;full&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243; offset=&#8221;vc_col-ss-6 vc_col-xs-12&#8243;][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=&#8221;1\/3&#8243; offset=&#8221;vc_col-ss-6 vc_col-xs-12&#8243;][vc_single_image image=&#8221;1868&#8243; img_size=&#8221;full&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243; offset=&#8221;vc_col-ss-6 vc_col-xs-12&#8243;][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=&#8221;1\/3&#8243; offset=&#8221;vc_col-ss-6 vc_col-xs-12&#8243;][vc_single_image image=&#8221;1871&#8243; img_size=&#8221;full&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243; offset=&#8221;vc_col-ss-6 vc_col-xs-12&#8243;][\/vc_column_inner][\/vc_row_inner][vc_empty_space height=&#8221;64px&#8221;][\/vc_column][\/vc_row][vc_row full_width=&#8221;stretch_row&#8221; el_class=&#8221;team-about-page&#8221;][vc_column width=&#8221;1\/3&#8243; offset=&#8221;vc_col-lg-offset-1 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-3888","page","type-page","status-publish","hentry"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/japanpianocenter.com\/hr\/wp-json\/wp\/v2\/pages\/3888","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/japanpianocenter.com\/hr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/japanpianocenter.com\/hr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/japanpianocenter.com\/hr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/japanpianocenter.com\/hr\/wp-json\/wp\/v2\/comments?post=3888"}],"version-history":[{"count":3,"href":"https:\/\/japanpianocenter.com\/hr\/wp-json\/wp\/v2\/pages\/3888\/revisions"}],"predecessor-version":[{"id":3894,"href":"https:\/\/japanpianocenter.com\/hr\/wp-json\/wp\/v2\/pages\/3888\/revisions\/3894"}],"wp:attachment":[{"href":"https:\/\/japanpianocenter.com\/hr\/wp-json\/wp\/v2\/media?parent=3888"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}